Direction
Creative Direction
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Set Design
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Film Score
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Film
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography & edit- Kaio Cesar
i dig my hands in bags of paradise, i squeeze until i find the noose
i dig my hands in bags of paradise, i squeeze until i find the noose
we search for meaning between blinking aisles
but can’t turn them off to find the truth
all my humanness is numbed in absent hours, and my youth is slipping off the monkey bars
will i live for love or live for blinking aisles?
who can afford the first? not me or you.
there’s a landlord burning dollars on my chin
there’s a raven on an olive branch
and the dairy man tells the girl to bring a smile, so she spits on him to feel like it
there’s a divot on my pinky, i’m in style
while there’s babies belly deep in wells of sand
well i’ll tell you Plum, there’s more than blinking aisles
there’s a man you haven’t spit on yet.
Cover Art: Interpolation of Frida Khalo’s “Self-Portrait on the Border Line
Between Mexico and the United States, 1932.”
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography & edit- Kaio Cesar
photography & edit- Kaio Cesar
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
writer, director, and editor- Rozie Ramati
styling- Rozie Ramati
cinematography-Tristan Marley Lai
assist- Miyu Hirose & Aleana Paredes
coloring- Zoe Rain Lambert
photography- Camille Guerin
Rozie on the poem sampled at the end of “Blinking Aisles,”
“my mother’s personal copy of ‘Howl’ (1956) that i found in a cardboard box my senior year of highschool. i was taking my first chicano literature class at the time. that class changed my life. shout out mr. barraza. he stopped me one day while i had howl on my desk and asked “where did you get that??” i said my mom had it in a box. he seemed impressed i was reading it, i didn’t know why haha. the only reason i initially took interest in the book was because of a friend. my junior year of high school, there was this cool guy in my film class who was a poet. allen ginsberg was his favorite poet. at the time i was just getting into ukulele. that cool guy asked if i would ever turn one of his poems into a song. long story short, that’s how i started making music. i’ve kept howl on my desk ever since, just to pull random inspiration from. when i was needing to write a second verse for ‘Blinking Aisles,’ i opened straight to ‘America’ by some strange luck. then i began to read it and found ‘America, the plum blossoms are falling.’”
Texts from my Abuelo that make my song “Blinking Aisles” make sense!
collage edit- Rozie Ramati
for the Gods
A play on Rozie’s lyrics in her song Puppets for the Gods,
“Cupid pulls the strings for us.” In this case, Cupid manifests
in the form of a glittering creek, tugging on the pink ribbon used in
the original single cover art.
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography- N/A
Creek Day: Drown in the Clouds of Dew
Rozie as a mermaid out of water, listening to her favorite
water themed song (DITCOD) via conch shell headphones. Inspired by
the movie “Aquamarine,” a childhood favorite, where the mermaid
protagonist listens to compliments from her starfish earrings.
creative/ art direction- Rozie Ramati & N/A
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography- N/A
Rozie shares a “how to” tutorial so Ramantics
know the proper way to listen to DITCOD
during the summer.
directon- Rozie Ramati & N/A
creative/ art direction- Rozie Ramati & N/A
set design- Rozie Ramati & N/A
writer/ story- Rozie Ramati
styling- Rozie Ramati
dp- N/A
edit- Rozie Ramati
Creek Day: Tea Party
Rozie’s “Ophelia” moment in the aftermath
of the DITCOD tea party.
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
set design- Rozie Ramati
director of photography- Rozie Ramati
photography- N/A
A short film/ commercial for Drown in the Clouds of Dew,
where things are not quite as they seem. Showcasing talented artists:
Alexandra Yvette and Evelyn Tan, dressed to the nines
with pink rose petals galore (a motif in Ramati’s work.)
director- Rozie Ramati
writer/ story- Rozie Ramati
editor- Rozie Ramati
creative/ art direction- Rozie Ramati
set design- Rozie Ramati
styling- Rozie Ramati
dp- N/A
cast- Alexandra Yvette, Evelyn Tan, Rozie Ramati
Upon waking up in a Rose Garden, much like the surrounding flowers,
Rozie comes to full bloom by the end of this photo series.
photography- Camille Guerin
creative/ art direction- Camille Guerin & Rozie Ramati
writer/ story- Rozie Ramati
assist- Kenny Salazar
hair & makeup- Camille Guerin
styling- Rozie Ramati
With cover art inspired by Barbie’s Swan Lake, “Origami,” according to Rozie,
“plays with the concept of folding for someone, using origami as a metaphor for such.”
The song illustrates two people falling in love, one less experienced than the other, so they take their love interest under their wing (literally) to guide them.
creative/ art direction- Rozie Ramati & N/A
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography- N/A
An abandoned parking lot in Big Bear sets the stage for Rozie as she
mirrors a ghost-like figure to her left. For “Blank Page,” Ramati’s 9th
single release, she states,
“sometimes it feels like people are walking blank pages and I’m missing vital information everyone else seems to have.”
In the song, Rozie imagines her love interest a literal blank page.
However, instead of being discouraged by her confusion, she takes matters into her own hands and writes the story she wishes to share with them on their paper body:
“Footprints leaving ink behind
wrote your face too close too mine
and maybe something more.”
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
styling assist- Silver (Shop 925)
photography- N/A
Short-form teaser to announce the single.
direction- Rozie Ramati & N/A
creative/ art direction- Rozie Ramati
styling- Rozie Ramati
writer/ story- Rozie Ramati
styling assist- Silver (Shop 925)
edit- Rozie Ramati
dp- N/A
Rozie makes do with the parking lot snow, drawing her love-
interest to life as a snow angel. Jelly bean smile
and eyes, a blank page can be found all around!
*featuring a special acoustic version of the song in the end credits
direction- Rozie Ramati & N/A
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
styling assist- Silver (Shop 925)
edit- Rozie Ramati
dp- N/A
White Tee
Rozie Ramati’s acoustic release, “White Tee.” In expired blue
polaroid, to represent the first line of the song:
“I am a white tee, you tie die me until i’m blue.”
photography- Sophia Liv Maguire
assist- James Armas
set design- Sophia Liv Maguire
graphic design- Sophia Liv Maguire
creative/ art direction- Sophia Liv Maguire
styling- Rozie Ramati & Sophia Liv Maguire
makeup- Jezebella Kachanon
edit- Rozie Ramati
score- Derek, Rozie Ramati
direction: Diane Lac & Sophia Liv Maguire
cinematography: Vanesa Moreno & Sophia Liv Maguire
edit: Rozie Ramati
written by: Rozie Ramati, Diane Lac, Sophia Liv Maguire
styling: Rozie Ramati & Sophia Liv Maguire
graphics: Diane Lac
production coordinator: Tristan Marley Lai
assistant director: Rebeca Castillo
first assist camera: Cecilia Saraiva
second assistant camera: Lukas Cardenas
grip & electric: James Srmas
blue car driver: Lawrence Lao
outro score: Derek
blue ink mixer: Emily Burr
suitcase makeup: Rozie Ramati
studio makeup: Jezebella Kachanon
colorist: Derek Nguyen
According to Rozie her cover of Bésame Mucho:
“represents the passage of time through music by progressively becoming more modern in production as you listen.”
Even going so far as using different microphones to record her voice in the process.
creative/ art direction- Brianna Sampson, Rozie Ramati
styling- Brianna Sampson, Rozie Ramati
graphic design- Rozie Ramati
photography- Brianna Sampson
A song about struggling with avoidant attatchment and overstimulation, Rozie playfully sings about her inclination to get in her own way in matters of romance. The cover art is a more graphic depiction of this.
creative/ art direction- Rozie Ramati
set design- Rozie Ramati & N/A
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography- N/A
direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
DP- N/A
edit- Rozie Ramati
In Rozie’s most whimsical release to date, Puppets for the Gods explores feelings of lust and desire, “puppets for the gods/ cupid pulls the strings for us/ flushed desire/ the simmer of lust thrives.”
creative/ art direction- Rozie Ramati
set design- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography- N/A
lighting- Kevin Cecil
A song from the perspective of a flower dying in a vase, calling out to be “tended to.” Rozie poses in a forest of drowning flowers.
creative/ art direction- Rozie Ramati & N/A
set design- Rozie Ramati & N/A
writer/ story- Rozie Ramati
styling- Rozie Ramati
photography- N/A
direction- Rozie Ramati
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
styling- Rozie Ramati
DP- N/A
edit- N/A
see: Plum Magazine Issue
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
set design- Rozie Ramati
styling- Rozie Ramati
photography- N/A
Rozie picutred next to the orange tree that inspired her song
“Orange Juice”
see: Plum Magazine Issue
creative/ art direction- Rozie Ramati
writer/ story- Rozie Ramati
set design- Rozie Ramati
styling- Rozie Ramati
photography- N/A
Chelsea Von Mach
see: Plum Magazine Issue
photography- Rozie Ramati & Alexandra Yvette
director- Rozie Ramati
writer/ story- Rozie Ramati
edit- Rozie Ramati
DP- Rozie Ramati
score- Derek, Rozie Ramati
director- Rozie Ramati
writer/ story- Rozie Ramati
edit- Rozie Ramati
DP- Rozie Ramati
score- Derek, Rozie Ramati